Veydra Mini Prime 16mm T2.2
$1,199.00
| Reviews: | |
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| SKU: | N/A |
| Category: | Lenses |
| Tags: | M4/3, mirrorless |
The Veydra Mini Prime 16mm T2.2 lens is a mid to wide focal length and is one of our most popular lens designs. This Veydra lens is great for everyday and handheld/aerial gimbal use.
Available in Micro4/3 (MFT) and C-Mount. Also available in Sony E mount (97% APS-C sensor coverage) by special request. The 16mm T2.2 covers 97% of a full APS-C sensor however the following cameras show no vignetting on the 16mm in E mount; Sony FS5, FS7, FS7II, a6300, a6500. The Sony A7s, A7sii A7r, A7rii all exhibit 3% vignette which requires crop in post production to remove.
Purpose built for cinema acquisition applications, all Veydra lenses feature constant volume focus, 0.8 cinema pitch gears on the iris/focus rings, constant T-Stop, and common front diameter for quick lens changes in a production environment.
All Veydra lenses exceed 4K resolution and are constructed of the finest grade aluminum and optical glass elements with multi-coating for color consistency.
Veydra lenses are designed with quality and value in mind. All Veydra products are priced at the absolute minimum retail price to help you achieve your creative vision.
| Weight | 1.2 lbs |
|---|---|
| Angle of view | 56.8 degrees |
| Image Circle | 26mm |
| Focus Rotation | 300 degrees |
| Front Outside Diameter | 80mm |
| Filter Threads | 77mm |
| Aperture | T 2.2 – 22 |
| Close Focus | 8″ |
Clint Hanaway, :
I’ve mainly been using my Veydra 16mm handheld on an A7rii. The mild vignetting hasn’t been an issue for me, as I run into similar issues when shooting 8k on a Weapon-W, you just shoot with it in mind. This 32mm equivalent makes it great for wider shots- I personally have used it on a lot of documentary style pieces for interior spaces, or times when I can’t get as far as I’d like from the subject. Though it’s a wider lens, it’s very cinematic. The image is flat, crisp, and has a gentle natural focal fall-off.